Skip to content 
queer edward II
According to Rollason
Derek Jarman’s arduous behind-the-scenes documentary about the production process won this year’s Venice Film Festival. <퀴어 라이온>It’s a joyous homecoming for London-based director Theo Rollason, who selected . edward II. Using Seamus McGarvey’s archive of never-before-seen Betacam footage, Rollason 1990’s queer activism unfolds amidst the political turbulence surrounding the production unit, with cameo appearances by emerging Tilda Swinton, Annie Lennox, and the unforgettable Sisters of Perpetual Indulgence. Funny, insightful, moving and tragic, Rollason lovingly restores Jarman’s brash and vibrant spirit. Like other activist films, it is not only a window into the process of one of the greatest artists in British history, but also a timely reminder that much remains to be done.
Revolutionaries never die
Mohanad Yaqubi
Another throwback to the post-legacy director and 1970s, filmmaker Yohanad Yaqubi praises the work of radical documentarian Jocelyn Saab using their framework. 2018 As well as email correspondence 115 Unedited analog video reel. Yaqubi’s voiceover, describing the impact of the war on domestic territories across Lebanon, Palestine, and Iran, hints at how the film can distance us from its subjects, but also offers an invitation to analysis. Moments of immersion and reflection have proven rare in the dominant addresses of contemporary media. However, Saab’s videos do not stop at graphic images of Palestine intended as spectacle; rather, her consideration of the Palestinian cause arises from how the conflict inhabits habits, rituals, and practices. Young children dream of guns and knives and fights with sticks on the beach. An old man is walking down a quiet, eerie, dusty street. Despite its inherited mix of reels, Yaqubi’s tribute to the formative voices of militant cinema is perhaps London’s most urgent and contemporary work. 2026 Festive slate.
Masao Adachi takes passport photos
Kamal Aljafari
For fans of Japanese New Wave, prolific pink Director and left-wing radical Masao Adachi (Schoolgirl Guerrilla, Angelic Ecstasy), I’m going to take a passport photo. At times sweet, gently slapstick, and politically enlightening, this work is 28 The one-minute long short hints at the afterlife of a successful film director. What comes after censorship, retrospection, and revolution? Using the ordinary as a lens into the life of a disenfranchised artist, Kamil Aljafari’s camera is surprisingly complicit in lingering over the stark, dragging silence of shared encounters. A revitalizing, humanistic parable about the cinematic canon and challenging waves of cinema, it is often mired in controversy.
at night
Beatrice Gibson
After another success domestically, experimental filmmaker Beatrice Gibson returned from the Locarno Film Festival with an award for Best New Director earlier this year. at nightGibson explained: “The “choral autonovel” weaves diary tales immersed in synthesizers and dripping with hallucinogens in Paris in the dark. Inspired by the literary avant-garde, her meticulous stories of women talking about sexuality, desire, motherhood and difference feel structured between echoes of Akerman and the bokeh camerawork of Canada’s Rhayne Vermette. Gibson’s characters, who often drift strangely between perspectives as essayistic meditations, never try to tell you what they are. To convince them that they are right – but they articulate the difference objectively, like an intruding whisper overhead in the murmur of a late-night bistro.